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2007/4/29

极幸福的一个熬夜

终于下决心要写论文了,打开所有的Music List, 花了半个小时排列了要听的歌,这才打开了word文档……
素茵睡了,倒在我床上。秋水依然在网游。阿棣回家了。我窝在自己的那一个平方的小桌前,想起前一段时间跟一个德国Intern的聊天。
“5个人住一间房?”
“恩。大学宿舍一般都这样。”
“你给他们钱,让他们搬出去住吧,这样你就能自己享受隐私和自由了:P。”
“……”
 
抬头环视一圈,这个猪圈一样的房间,住了四年。在这个夜深人静的时刻,却发现自己居然留恋这个猪窝
,留恋这里的一切。再住两个月就走了,再过三个月就到美国“享受隐私和自由”去了,唉,md,但心里怎么就不快活。
 
灯光如豆,歌声却在耳边振奋。音量调到最大,夜就变得明媚起来。
 
于是熬夜就变成了精神奖励。
2007/4/10

词汇,词汇,词汇!BA paper就吃力成这样了 没有办法想象自己将来在美国怎么写paper...

昨天好歹憋了篇提纲,发现我描述女主人公的词汇限于beautiful&independent这个级别。然后发现……
 
THE NEW YORK TIMES, Stephen Holden
November 11, 2005
"Makes you believe in true love, happily-ever-after and all the other stuff a romantic comedy promises but so seldom delivers. Satisfyingly rich. The sumptuous new screen adaptation has so much to recommend it."


The sumptuous new screen adaptation of Jane Austen's "Pride and Prejudice" has so much to recommend it that it seems almost churlish to point out that its plucky, clever heroine, Elizabeth Bennet, played by Keira Knightley, is not exactly the creature described in the 1813 novel.

The second of five well-brought-up but impecunious Bennet sisters, whose fluttery mother (Brenda Blethyn) desperately schemes to marry them off to men of means, Elizabeth prevails in the novel through her wit and honesty, not through stunning physical beauty. Among the five, the belle of the ball is Elizabeth's older sister, Jane (Rosamund Pike), who is as demure and private as Elizabeth is outspoken and opinionated.

But because Ms. Knightley is, in a word, a knockout, the balance has shifted. When this 20-year-old star is on the screen, which is much of the time, you can barely take your eyes off her. Her radiance so suffuses the film that it's foolish to imagine Elizabeth would be anyone's second choice.

Once you've accepted this critical adjustment made by Joe Wright, a British television director in his feature film debut, "Pride & Prejudice" gathers you up on its white horse and gallops off into the sunset. Along the way, it serves a continuing banquet of high-end comfort food perfectly cooked and seasoned to Anglophilic tastes. In its final minutes, it makes you believe in true love, the union of soul mates, happily-ever-after and all the other stuff a romantic comedy promises but so seldom delivers. For one misty-eyed moment, order reigns in the universe.

If the depth and complexity of the movie can't match those of the five-hour British mini-series with Jennifer Ehle and Colin Firth that was shown on A&E a decade ago, how could they, given the time constraints of a feature film (128 minutes, in this case)? But in a little more than two hours, Mr. Wright and the screenwriter, Deborah Moggach, have created as satisfyingly rich and robust a fusion of romance, historical detail and genial social satire as the time allows. (很在理)
 
THE LOS ANGELES TIMES, Carina Chocano
November 11, 2005
"Exhilarating. With Outstanding Performances, 'Pride & Prejudice' Is A Joy From Start To Finish."


Does the thought of Keira Knightley as Elizabeth Bennet give you pause? Jane Austen's smartest, toughest and most independent-minded heroine was last portrayed by Jennifer Ehle in the excellent 1995 BBC miniseries, the one that established Colin Firth as the Mr. Darcy to end all Mr. Darcys. There, Lizzie's intelligence was made to carefully hack its way through pin curls and silly Regency frippery like a machete-wielding Amazon explorer. But in Joe Wright's exhilarating new version, the first feature film adaptation of "Pride & Prejudice" in 65 years, Lizzie has been liberated from period fashion victim-hood, scruffed up a little, and let loose on the wily, windy moors. So what if the style seems a touch anachronistic -- it's close enough to the spirit and the letter of the novel, and makes up for the differences in energy and fun.
 
USA TODAY, Claudia Puig
November 11, 2005
"[image] [image] [image] [image] "! "Supremely Entertaining!
Bewitches The Viewer Completely And Incandescently With An Exquisite Blend Of Emotion And Wit."


Who would have guessed that the world needed another remake of "Pride and Prejudice"? Yet despite multiple previous incarnations and the cries of protest from diehard Colin Firth fans, this "Pride & Prejudice" is a stellar adaptation, bewitching the viewer completely and incandescently with an exquisite blend of emotion and wit.

Director Joe Wright and screenwriter Deborah Moggach extract the essence of Austen's clever dialogue, fashioning a supremely entertaining saga of amorous adventures.

What emerges on screen feels contemporary while preserving the nature of the character study. "Pride & Prejudice's" transcendent love story will captivate viewers - even diehard Austenites.
 
THE BOSTON GLOBE, Wesley Morris
November 11, 2005
"[image] [image] [image] [image] "! "A Jaunty Romantic Comedy That Leaves Us As Incandescently Happy As Its Characters! Exhilaratingly Made!"


Everyone in the bouncy and whooshing new version of "Pride & Prejudice" appears to be having a great time. Everybody except Mr. Darcy. But he'll come around. Jane Austen's novel has been rejiggered into a jaunty romantic comedy that leaves us as incandescently happy as its characters.

Rosamund Pike, as Jane, the eldest, fairest Bennet daughter, and Simon Woods, as Mr. Bingley, the unassumingly rich, magnificently carrot-topped whippersnapper who falls for her, could be two besotted freshmen at any college. They leave each other and the movie in a tizzy. Their crush, of course, is complicated by the matters of caste and propriety that threaten to break them up.

The spirit of this version feels fresher and more youthful than previous editions.(赞成) The youngest Bennets, Kitty (Carey Mulligan) and Lydia (Jena Malone), are more cuckoo than ever. Malone is particularly hilarious as the most Southern-sounding Bennet and the one least likely to remain a virgin.
 
其实,其实,这些词,不就是曾经拥有的gre单词么……
……

还有好多好多影评,不贴了。 郁闷就是了。做好准备以后每晚读书写paper到四五点了……